RIP: Satoshi Kon- 1963-2010
His films are known for their narrative economy and perfect amalgamation of fantasy and reality. Some of the recurring traits in his body of work include – surprising and disorienting editing, visually spellbinding ideas and cinematic speed. His second release was Millennium Actress (2001)
Anime Cine Experience
The first ever celebration of Anime films, Manga and Japanese Pop Culture comes to New Delhi. Cinedarbaar in collaboration with Embassy of Japan, Japan Foundation, Directorate of Film Festivals and Japan Association.
The Steel; When it Melts
Cinema is the artform of the 20th century too, a century whose most significant historical events were all results of the efforts undertaken to appease colossal male egos, and efforts undertaken to not let that appeasement take place, for that would, in turn, offend another male ago
RIP: Satoshi Kon- 1963-2010
His films are known for their narrative economy and perfect amalgamation of fantasy and reality. Some of the recurring traits in his body of work include – surprising and disorienting editing, visually spellbinding ideas and cinematic speed. His second release was Millennium Actress (2001)
recent post
Born in October 12, 1963, in Kushiro, Hokkaido, Japan, Satoshi Kon became a manga artist. He was a graduate from the Musashino college of Arts and started his career as the editor and manga artist. [Read More] 
The first ever celebration of Anime films, Manga and Japanese Pop Culture comes to New Delhi. Cinedarbaar in collaboration with Embassy of Japan, Japan Foundation, Directorate of Film Festivals and Japan Association. [Read More] |
Cover Story
IA assumes a journalistic role, that of an objective bystander, and places a few questions in the midst of leading film critics, academicians and bloggers to locate the role of film criticism in India. [Read More] 
Second Part:- IA assumes a journalistic role, that of an objective bystander, and places a few questions in the midst of leading film critics, academicians and bloggers to locate the role of film criticism in India. [Read More] |
Interview
The film has been the detonator of the act, the agent that mobilizes the old spectator. Furthermore, we believe in what Fanon said: ‘ If we must involve everyone in the fight for our common salvation. Jean Luc Godard [Read More] 
Indian Auteur talks to Tariq Tapa, the director of the much acclaimed independent film, Zero Bridge; as he elaborates on the method in the madness that is independent filmmaking. [Read More] |
Auteur
Chomont, a dropout, had enrolled for a course in social documentary at Boston University, but decided to quit midway. He started working in a cinema as a ticket taker and was also programming, what was then called Underground. [Read More] 
The visual plane is not merely a support in the son-image construct; instead it is the driver upon which all other references are supported. The representation of a society thrives on the visual plane in Fassbinder. [Read More] |
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