IA talks about experimental auteur Tom Chomont and examines his role in the hierarchy of the 1960s Structuralist Cinema in America, while also inaugurating its annual Film Critic Symposium in its Issue 11.
[ Read More → ]Archive for June, 2010
IA: Elusive Dream XI
Tuesday, June 29th, 2010The Diaristic Cinema of Tom Chomont
Tuesday, June 29th, 2010
Chomont, a dropout, had enrolled for a course in social documentary at Boston University, but decided to quit midway. He started working in a cinema as a ticket taker and was also programming, what was then called Underground.
[ Read More → ]IA: Film Criticism Symposium-I
Tuesday, June 29th, 2010
IA assumes a journalistic role, that of an objective bystander, and places a few questions in the midst of leading film critics, academicians and bloggers to locate the role of film criticism in India.
[ Read More → ]IA: Film Criticism Symposium-II
Tuesday, June 29th, 2010
Second Part:- IA assumes a journalistic role, that of an objective bystander, and places a few questions in the midst of leading film critics, academicians and bloggers to locate the role of film criticism in India.
[ Read More → ]IA Weekly- Raavan
Sunday, June 20th, 2010
It is important to comprehend what Ghatak may mean by stylistic divergence in the context of making a film. The inability to sustain a formal choice or an aesthetic principle throughout the film is an issue that plagues.
[ Read More → ]Godard and Solanas in Conversation
Friday, June 18th, 2010
The film has been the detonator of the act, the agent that mobilizes the old spectator. Furthermore, we believe in what Fanon said: ‘ If we must involve everyone in the fight for our common salvation. Jean Luc Godard
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