
The camera, as anticipated by Orwell’s 1984, slowly becomes the tool of intimidation through its ability of documentation. It is a living proof. It is technology, and thus, accurate. It is a machine, and thus, free of prejudice
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The camera, as anticipated by Orwell’s 1984, slowly becomes the tool of intimidation through its ability of documentation. It is a living proof. It is technology, and thus, accurate. It is a machine, and thus, free of prejudice
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The director of Socha Na Tha, Jab We Met and Love Aaj Kal contemplates on the nature of the Bollywood love story, modern cinema and emphasizes on the relevance of the story.
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